Her day. Her court. Photos that live on the wall for thirty years.

For a quinceañera with a full court, mom, madrinas and grandmothers, plan on one artist per three to four people if you want everyone finished on time. We do that math for you once we know the headcount and the church time — and we will tell you honestly when you need fewer artists than you were quoted elsewhere.

Yes, and a lot of girls want one. A softer look for the church and mass, then a change before the reception and the surprise dance. We build the change into the timeline and stay for it rather than handing you a touch-up kit and leaving.

We can, but most families do not need one. A trial is really an audition, and after twenty years we can execute any look she brings us and adjust it in the chair. What we normally recommend instead is a preview, booked together with her date once the contract is signed. It does the useful part — seeing how the look photographs and how it holds — without asking you to audition us before you have secured the day.

That is the whole reason to hire a production-standard team rather than a friend with a good kit. We prep skin for the weather and the venue, use a hybrid airbrush and traditional approach chosen per face, and set everything for a day that runs from morning church to a late reception.

Sí. We are happy to talk through the whole booking in Spanish with you or with mom, and we send the contract and the timeline in whichever language is easier for your family.

As soon as she knows her date. Quinceañera season books early and Saturdays with a large court go first, so three to six months is comfortable — but the honest answer is that we cannot hold or promise a date until it is secured with a signed contract and a deposit. Until then it stays open to anyone. If your date is inside a month, call rather than email and we will tell you straight away whether the bench can cover it.